You barely see them
staring out of bus windows
anymore.
It's a digital age
with digital youth
and a sinking world
spinning around them.
The last thing a child needs
in their American life
is poetry.
Not Howl,
nor Rime of the Ancient Mariner,
But a lifetime of limericks
and one liners.
Emoji filled,
and responded to quickly.
It may seem lost
in public sight.
But I know a truth.
I see a light in the darkness.
The distance flickers with an unmistakable glint.
There will always be a room.
A safe haven.
Away from the maddening crowd.
And wars over coffee cups.
And in that room,
there will be another.
Always questioning,
and feeling way. too. much.
And they will pick up a pen.
And solve the world's problems
from within.
And I, in turn,
will find definition,
and purpose.
Tuesday, November 17, 2015
Feed
To think
You can't take the time
to feed a fantasy football site
your money.
You can feed yourself with
burgers and fries.
You can feed yourself gossip
about an undefeated woman
pummeling a now defeated woman
who didn't shake hands
before the bout.
You can feed yourself news
of attacks and terror
to grow hatred.
But you won't feed your mind
the knowledge it needs
to understand the difference
between extremist
and peaceful practitioner.
You won't feed a Syrian refugee.
Or their terrified child.
But you'll watch.
You'll glance briefly.
You'll eat tonight.
You'll feed.
And you'll do nothing.
Unless you have the misfortune
to really see.
And then be forced to wait
for someone to feed you
what you think
you deserve.
You can't take the time
to feed a fantasy football site
your money.
You can feed yourself with
burgers and fries.
You can feed yourself gossip
about an undefeated woman
pummeling a now defeated woman
who didn't shake hands
before the bout.
You can feed yourself news
of attacks and terror
to grow hatred.
But you won't feed your mind
the knowledge it needs
to understand the difference
between extremist
and peaceful practitioner.
You won't feed a Syrian refugee.
Or their terrified child.
But you'll watch.
You'll glance briefly.
You'll eat tonight.
You'll feed.
And you'll do nothing.
Unless you have the misfortune
to really see.
And then be forced to wait
for someone to feed you
what you think
you deserve.
Friday, November 13, 2015
Truth
And I find,
That in the end,
All I'll ever need...
Is a fresh writing instrument
And a reason to bleed.
____________
More coming soon...
That in the end,
All I'll ever need...
Is a fresh writing instrument
And a reason to bleed.
____________
More coming soon...
Monday, September 28, 2015
Lament
Yes. I know I haven't posted in a while.
Yes. I have been busy.
Yes. I am still writing.
No. I haven't forgotten about you.
See you soon...
Yes. I have been busy.
Yes. I am still writing.
No. I haven't forgotten about you.
See you soon...
Thursday, July 30, 2015
Toronto
Toronto
Even a cleaner city
Is nothing without its grime.
Toronto
Neighbor to the north.
I see your pain.
I see what happens when hipster
Meets heroine.
I smell your lack of modesty.
It's only the first day.
But I found your French quarter
Of Philadelphia.
I found your roses
Dying on the concrete.
Do you see me?
A poet new in town and
Fresh off the bus
Carries a certain decor with him.
A judge,
And an artist
Who has no need for these self-employed gods.
No need...
During your Islamic prostests.
No need...
In your melting put of colorful language.
No need...
As the sirens wail two blocks
Down
And the schizophrenic covers his ears.
Ticks...
And screams back
"Hurry up!
Go save 'em already.
You're giving me a migraine!
Save them!
Save me!"
Do you see me Toronto?
I'm defending your city now.
Looking down from uneven rooftops.
This machine kills common dominance.
Do you see me?
Now you don't.
------------------
This post is late.
And, yes, I know that the punctuation is bad in the poem. It's not my usual style. I don't feel like editing today.
I arrived in Toronto a couple days ago, and the city is nothing short of beautiful. The only problems that I had (besides the fact that customs thought that the place where I am staying [Victoria University] didn't exist) was that I forgot about things like the metric system.
I really dig the monopoly money. And the city is really clean compared to Philly. People are pretty friendly too. I distinctly remember being awestruck while I was driving across the border because I was anticipating the adventure. I was ready to start my class. But, more importantly, I was ready to get my certificate for the Arrowsmith Program and get back home.
I wrote the poem after my first full day. This city has poetry crawling up its skyscrapers, and down its subway lines.
It's funny how nobody notices.
We'll see what I notice as the next two weeks go by.
I love you, Katie.
~Torres
Even a cleaner city
Is nothing without its grime.
Toronto
Neighbor to the north.
I see your pain.
I see what happens when hipster
Meets heroine.
I smell your lack of modesty.
It's only the first day.
But I found your French quarter
Of Philadelphia.
I found your roses
Dying on the concrete.
Do you see me?
A poet new in town and
Fresh off the bus
Carries a certain decor with him.
A judge,
And an artist
Who has no need for these self-employed gods.
No need...
During your Islamic prostests.
No need...
In your melting put of colorful language.
No need...
As the sirens wail two blocks
Down
And the schizophrenic covers his ears.
Ticks...
And screams back
"Hurry up!
Go save 'em already.
You're giving me a migraine!
Save them!
Save me!"
Do you see me Toronto?
I'm defending your city now.
Looking down from uneven rooftops.
This machine kills common dominance.
Do you see me?
Now you don't.
------------------
This post is late.
And, yes, I know that the punctuation is bad in the poem. It's not my usual style. I don't feel like editing today.
I arrived in Toronto a couple days ago, and the city is nothing short of beautiful. The only problems that I had (besides the fact that customs thought that the place where I am staying [Victoria University] didn't exist) was that I forgot about things like the metric system.
I really dig the monopoly money. And the city is really clean compared to Philly. People are pretty friendly too. I distinctly remember being awestruck while I was driving across the border because I was anticipating the adventure. I was ready to start my class. But, more importantly, I was ready to get my certificate for the Arrowsmith Program and get back home.
I wrote the poem after my first full day. This city has poetry crawling up its skyscrapers, and down its subway lines.
It's funny how nobody notices.
We'll see what I notice as the next two weeks go by.
I love you, Katie.
~Torres
Wednesday, June 3, 2015
Conversations with Ghosts
I used to hear stories
from the next room
about who
was visiting who.
I used to hear stories
about people
who weren't there at all
But they were
dashing
from room to room.
In a hurry
to get nowhere,
for the rest of forever.
And she only told me about them
after we moved.
She told me about the men
in the corner of the bedroom.
And how they would watch her sleep.
And how they would watch her fold laundry.
She would tell me this,
as my goosebumps
fed on my flesh
in a house,
that was safe
from Chestnut Street.
She told me about the little girl
in the pretty dress,
who had the ribbons in her hair.
She told me how that little girl
would run from room to room
slamming doors.
She lied.
And told me that she had been doing it
for almost a decade,
and not the girl.
It wasn't until
I was a preteen
that I was able
to point out something
strange
that I had experienced.
Something that had kept me up all night,
and sent me screaming from the master bedroom.
That was when she told me.
"It looks like they love you too."
I've been having conversations with ghosts
ever since.
--
~Torres
from the next room
about who
was visiting who.
I used to hear stories
about people
who weren't there at all
But they were
dashing
from room to room.
In a hurry
to get nowhere,
for the rest of forever.
And she only told me about them
after we moved.
She told me about the men
in the corner of the bedroom.
And how they would watch her sleep.
And how they would watch her fold laundry.
She would tell me this,
as my goosebumps
fed on my flesh
in a house,
that was safe
from Chestnut Street.
She told me about the little girl
in the pretty dress,
who had the ribbons in her hair.
She told me how that little girl
would run from room to room
slamming doors.
She lied.
And told me that she had been doing it
for almost a decade,
and not the girl.
It wasn't until
I was a preteen
that I was able
to point out something
strange
that I had experienced.
Something that had kept me up all night,
and sent me screaming from the master bedroom.
That was when she told me.
"It looks like they love you too."
I've been having conversations with ghosts
ever since.
--
~Torres
28
I don't know why my birthday always bothers me every single year. I'm beginning to think that it's because life is such a trip, and you shouldn't be putting a timeline on it.
I think back to what the past year has brought me. Yes, brought me. Not given me. You don't want to get anything for granted. What it have placed in my lap is news of newborns, a children's book being considered by an editor, a new hobby, a handful of new and amazing friendships, a shiny medal, and engagement to a real good woman, and a day in which I got to paint a porch with my grandfather while my grandmother cooked us lunch.
I felt like a kid again when I was 27.
I have tried new foods, drinks, and went to the emergency room three times.
I'm writing this silly little post because I love bringing you, the reader, on this crazy journey with me. I hope you consider letting me experience some of your own journey some day.
Everyone knows that I love a good story.
My life is being a grand movie. One that has so many interesting characters and interwoven story lines. I want to put everyone I know in a short story. Publish it. And show everyone whom I do not know how interesting my loved ones are.
Even as I sit here, enjoying birthday scotch and writing this, I think of you. I want you to be well. Don't smirk, it's true. Even though my constant scowl may tell you a different tale. Don't mind it. I scowl for a completely different reason.
I scowl because I love life so much that it pisses me off.
Yours,
~Torres
I think back to what the past year has brought me. Yes, brought me. Not given me. You don't want to get anything for granted. What it have placed in my lap is news of newborns, a children's book being considered by an editor, a new hobby, a handful of new and amazing friendships, a shiny medal, and engagement to a real good woman, and a day in which I got to paint a porch with my grandfather while my grandmother cooked us lunch.
I felt like a kid again when I was 27.
I have tried new foods, drinks, and went to the emergency room three times.
I'm writing this silly little post because I love bringing you, the reader, on this crazy journey with me. I hope you consider letting me experience some of your own journey some day.
Everyone knows that I love a good story.
My life is being a grand movie. One that has so many interesting characters and interwoven story lines. I want to put everyone I know in a short story. Publish it. And show everyone whom I do not know how interesting my loved ones are.
Even as I sit here, enjoying birthday scotch and writing this, I think of you. I want you to be well. Don't smirk, it's true. Even though my constant scowl may tell you a different tale. Don't mind it. I scowl for a completely different reason.
I scowl because I love life so much that it pisses me off.
Yours,
~Torres
Friday, May 29, 2015
The Drinkable Clock
It's a shame
that so much of our lives
is spent waiting.
Waiting for this.
For that.
Hoping that we are around for the next great
something
to happen.
I remember
when
Childhood never ended.
Where summer vacation was eternal.
When we would look at the clock
as something that was
made of plastic
and metal
and gears.
And none of it mattered.
We didn't understand time.
Because we had too much of it.
Now,
I spend days
busy.
But never too busy.
I have to cram it in now.
All of it.
Because
nothing gold can stay.
And nothing lasts forever.
This is the only shot that we have.
We have to take it.
Those who think anything different
are diluting themselves.
You
want
every
single
second.
Go ahead and take it.
Tell them I sent you.
that so much of our lives
is spent waiting.
Waiting for this.
For that.
Hoping that we are around for the next great
something
to happen.
I remember
when
Childhood never ended.
Where summer vacation was eternal.
When we would look at the clock
as something that was
made of plastic
and metal
and gears.
And none of it mattered.
We didn't understand time.
Because we had too much of it.
Now,
I spend days
busy.
But never too busy.
I have to cram it in now.
All of it.
Because
nothing gold can stay.
And nothing lasts forever.
This is the only shot that we have.
We have to take it.
Those who think anything different
are diluting themselves.
You
want
every
single
second.
Go ahead and take it.
Tell them I sent you.
Friday, May 15, 2015
Elisa
I remember you well
from the Cecil Hotel.
You were acting really strange
to all of us.
Did you know that you looked possessed
on the security footage?
The last time that we would ever see you
would be in the elevator.
But you would leave a lasting impression
on the folks that stayed there
forever.
Does the water taste funny to you?
Is the water pressure lower than usual?
Why is it black--
instead of crystal clear?
How did you get past the locked door
that led to the roof?
Did the alarm not sound?
In the lift
you pushed all the buttons,
but the door wouldn't shut.
You stepped out.
Looked left.
Looked right.
And began talking out loud
to no one.
The toxicology report came back negative.
You ran your fingers through your hair.
Waved your arms around.
kicked against the apparition.
But to no avail.
Exit stage left.
Then the door finally closed.
Then reopened on the next floor.
Then closed again.
Then reopened on the next floor.
Then closed.
And the footage ended.
Did you know that Richard Ramirez
stayed at the hotel.
Retiring there
after paying 14 dollars
for 14 nights
on the 14th floor
and killing 14 people?
So did Jack Unterweger,
and the Black Dahlia
with the Glasgow smile
The other guests...
They tasted you.
Bathed in you.
drank you down
and complained about you
to the management.
Before they knew that it was you--
whose body would be found
floating in the water tank
on the roof.
Naked.
A mystery to this day.
Thursday, April 23, 2015
Twisted Metal
This is a true story.
My preteen/teen years were spent on a farm that my family built on the outskirts of my hometown. My parents still live there.
This story, however, isn't about the house. It's about the road. But, more importantly, it's about a sharp curve in the road and the death of two high school kids.
I was 19, and was home from college to visit my folks (and--probably--to bum some money). I couldn't remember what my parents and I were talking about that night, but I remember being on the staircase when I heard the sound. It was a piercing screech, followed by a boisterous and unforgettable thud that came from outside.
"Did anyone hear that?" I said.
Then there was a slow-moving silence that crept over the living room area as the three of us waited for something to happen.
Then there was a frantic knock at the door.
I hurried back down the stairs and crossed the foyer to the large front door. I then unlocked it and centered my footing, physically preparing myself before opening the door (I've seen too many movies).
Who was standing on the porch was a teenager with a familiar face. I knew I had seen him in my high school. He was a few years younger than I was, and must have been a senior at this point. I still can't recall his name, but I'll never forget the look on his face.
Sweating, crying, and gasping for breath, he had parked his car crooked in our driveway. When I asked him what was wrong, it took him a moment to compose himself enough for words to form.
"There's been an accident," he said. "Could you please call an ambulance?"
I can't remember which one of my parents called 911, but I do remember the walk along the side of the road, all the way to the end of the cornfield. I was with my father. And, together, we saw the absolute definition of aftermath.
What disturbed our sense was a ball of twisted metal that had once been a car with three teenagers contained safely inside. But, because sometimes the oats that we sow are a rotten crop, they had a need for speed that could not be satisfied before the collision. What now remained was a reminder of future possibilities cut short, and unbeknownst parents tucked safely away in houses somewhere in that darkness. Parents who will eventually receive a visitor that will change their lives forever.
The ambulance arrived, and we watched the bodies as they were cut from a metal womb and covered with long white sheets that soaked the blood like bread and wine.
There was one who had not been covered, though, but placed in one of the two ambulances and driven away like a bat out of hell. The jaws of life had freed her from the back seat.
The police office said that they must have been doing 85 down the dark country road, and only slowed to about 60 by the time they realized that there was a sharp curve.
The walk back home with dad was a silent one. And, when we got inside, the shaken kid was gone. I went upstairs to my room and turned on my electric typewriter.
The next day it was as if nothing had happened. The road was clear. The wreckage was gone. There was no blood or antifreeze pooling in the road. It was a return to normalcy.
I went to my best friend's house that night and watched some horror movies. I then got in my car and headed home around 11:30 p.m.
It was before midnight when I came to the curve in the road that claimed the lives of the teens just 24 hours prior. It was there that I could have sworn that I saw, running from the cornfield to the yard of the old farmhouse where it happened, the misty silhouettes of two teenaged guys. I thought that they were playing a morbid game of tag around the oak tree that was now stripped of bark on one side.
I could have sworn that's what I saw. A ghostly warning to slow down, and rebel within reason.
Sometimes, in darkest of nights, I still hear that sound of the collision, and shudder at the thought of the aftermath.
~Torres
Then there was a frantic knock at the door.
I hurried back down the stairs and crossed the foyer to the large front door. I then unlocked it and centered my footing, physically preparing myself before opening the door (I've seen too many movies).
Who was standing on the porch was a teenager with a familiar face. I knew I had seen him in my high school. He was a few years younger than I was, and must have been a senior at this point. I still can't recall his name, but I'll never forget the look on his face.
Sweating, crying, and gasping for breath, he had parked his car crooked in our driveway. When I asked him what was wrong, it took him a moment to compose himself enough for words to form.
"There's been an accident," he said. "Could you please call an ambulance?"
I can't remember which one of my parents called 911, but I do remember the walk along the side of the road, all the way to the end of the cornfield. I was with my father. And, together, we saw the absolute definition of aftermath.
What disturbed our sense was a ball of twisted metal that had once been a car with three teenagers contained safely inside. But, because sometimes the oats that we sow are a rotten crop, they had a need for speed that could not be satisfied before the collision. What now remained was a reminder of future possibilities cut short, and unbeknownst parents tucked safely away in houses somewhere in that darkness. Parents who will eventually receive a visitor that will change their lives forever.
The ambulance arrived, and we watched the bodies as they were cut from a metal womb and covered with long white sheets that soaked the blood like bread and wine.
There was one who had not been covered, though, but placed in one of the two ambulances and driven away like a bat out of hell. The jaws of life had freed her from the back seat.
The police office said that they must have been doing 85 down the dark country road, and only slowed to about 60 by the time they realized that there was a sharp curve.
The walk back home with dad was a silent one. And, when we got inside, the shaken kid was gone. I went upstairs to my room and turned on my electric typewriter.
The next day it was as if nothing had happened. The road was clear. The wreckage was gone. There was no blood or antifreeze pooling in the road. It was a return to normalcy.
I went to my best friend's house that night and watched some horror movies. I then got in my car and headed home around 11:30 p.m.
It was before midnight when I came to the curve in the road that claimed the lives of the teens just 24 hours prior. It was there that I could have sworn that I saw, running from the cornfield to the yard of the old farmhouse where it happened, the misty silhouettes of two teenaged guys. I thought that they were playing a morbid game of tag around the oak tree that was now stripped of bark on one side.
I could have sworn that's what I saw. A ghostly warning to slow down, and rebel within reason.
Sometimes, in darkest of nights, I still hear that sound of the collision, and shudder at the thought of the aftermath.
~Torres
Wednesday, March 25, 2015
Yeah... Kinda Like That.
Like tap dancing during an earthquake.
Like drinking fire.
Like trying to fly.
Like sitting on the third rail with a wet ass.
Like wondering what that noise was in the darkness while you're trying to sleep.
Like driving with your sense of taste.
Like eating your favorite record.
Like playing Russian Roulette with an AK-47.
Like lowering your fucking guard for two seconds
in order to let someone
who may be just a bit more enlightened
than you
teach you something about life
because you can't fucking fathom
that we may all just be one soul,
and that we should just lay down our verbal
and physical weaponry
and usher in a kindness and peace of mind
that just lasts
for the rest of humanity's reign
because making art
and being good to each other
just. Makes. Sense.
Like accepting fate.
You chose to write poetry.
And I thank you for it.
Like drinking fire.
Like trying to fly.
Like sitting on the third rail with a wet ass.
Like wondering what that noise was in the darkness while you're trying to sleep.
Like driving with your sense of taste.
Like eating your favorite record.
Like playing Russian Roulette with an AK-47.
Like lowering your fucking guard for two seconds
in order to let someone
who may be just a bit more enlightened
than you
teach you something about life
because you can't fucking fathom
that we may all just be one soul,
and that we should just lay down our verbal
and physical weaponry
and usher in a kindness and peace of mind
that just lasts
for the rest of humanity's reign
because making art
and being good to each other
just. Makes. Sense.
Like accepting fate.
You chose to write poetry.
And I thank you for it.
Friday, March 13, 2015
Foundation
Only the foundation
remains
of the haunted inn
where your father bar-tended,
and made you into a bar-baby,
long before you found comfort in spirits.
When your parents finally divorced.
You dressed like a magical pixie
and tapped patrons
with your wand,
allowing them the wishes
that the booze couldn't grant.
But,
even more so,
you wanted to ride
the dumbwaiter
from the bar
to the kitchen.
They would give you maraschino cherries,
as you listened to the plates clang
and clash.
That ride was your one desire.
And they denied it.
A few days ago,
that inn burned down.
And our friend was there afterwards
taking pictures.
You wanted to buy one.
Why?
You haven't spoken to your father
in 8 years.
You wished that he caught fire
instead.
Should we drive to New Jersey
and steal what's left of his record collection?
Or should we worry
that he'll show up at the wedding.
Demanding answers
from a room full of Irish
and Puerto Ricans?
I'd pay to see it...
Now, the inn
is the ghost of a memory now.
Yet, here you are.
Red hair crescendo,
dancing by the sandalwood incense
in front of the living room window
to soft music.
Where were you on the night
that your past
went up
in flames?
Wednesday, March 4, 2015
Yesterday
I've got a lot going on.
And, lately, there hasn't been much music
in my life.
Everyone on the radio talks too much.
Yesterday
The ice and snow
mixed on the sidewalk
and streets
And it looked like Cornmeal porridge.
The kind I used to make when we were snowed in.
I brought this bottle of rum with me.
Its got a good coconut and lime accompaniment.
Maybe, together, we'll hear jazz one more time.
I woke up
dreading the day
and missing people
I haven't seen in a while.
The typewriter ignored me.
The word processor ignored me.
The computer ignored me.
I wrote another poem about nothing
in my head
while I had my coffee
in bitter contemplation.
I would have written you sooner.
I wanted to.
But I don't like writing about cliche topics.
Or,
the kind of things that strangers
discuss while waiting for buses.
It's 2015
and I have 3 dollars in my wallet.
I'm waiting to hear back from 2 poetry contest
and a literary magazine.
They keep me going.
I'm waiting for the night time to come.
She'll be home, and she'll smile at me.
I'm waiting for the right word
to strike
and ring out in the forge
of my aged soul.
Perhaps I should eat strawberries a little more slowly.
Perhaps I should go fishing
when spring arrives.
And, lately, there hasn't been much music
in my life.
Everyone on the radio talks too much.
Yesterday
The ice and snow
mixed on the sidewalk
and streets
And it looked like Cornmeal porridge.
The kind I used to make when we were snowed in.
I brought this bottle of rum with me.
Its got a good coconut and lime accompaniment.
Maybe, together, we'll hear jazz one more time.
I woke up
dreading the day
and missing people
I haven't seen in a while.
The typewriter ignored me.
The word processor ignored me.
The computer ignored me.
I wrote another poem about nothing
in my head
while I had my coffee
in bitter contemplation.
I would have written you sooner.
I wanted to.
But I don't like writing about cliche topics.
Or,
the kind of things that strangers
discuss while waiting for buses.
It's 2015
and I have 3 dollars in my wallet.
I'm waiting to hear back from 2 poetry contest
and a literary magazine.
They keep me going.
I'm waiting for the night time to come.
She'll be home, and she'll smile at me.
I'm waiting for the right word
to strike
and ring out in the forge
of my aged soul.
Perhaps I should eat strawberries a little more slowly.
Perhaps I should go fishing
when spring arrives.
Tuesday, February 3, 2015
Paddy Boy
Like
one hand clapping
in
a darkened theater
to
the swan’s song,
Patrick
sits
at home,
alone,
and
fights his disease
for
as long as he can.
The
empty house,
far
from the streets of Dublin,
has
a hint of ghostly cigarette smoke
from
tobacco long since punched out--
seeping
out of the wood floor and paneling.
His
kitchen
is
barren
except
for a loaf of bread
and
a teapot whistling.
There
is a transparent television
he
bought for his son,
who
went to prison.
And
as he walks around,
he
grabs tabletops
and
backs of chairs
with
calloused hands,
responsible
for years of rebel wars
and
bricklaying.
His
dog,
Molly,
the
gentle boxer,
doesn’t
bark at strangers,
and
never leaves his side.
“She
sleeps nex’ ta me inda bed,”
he
says in a sweet brogue.
She’s
all he has now.
His
sons never call.
His
ex-wife
Could
care less.
She’s
already getting what’s left of his money.
They
gave him
Experimental
drugs
And
told him
He
could have ten years left
If
he takes them
Every
day.
The
P.O.W. experiences
were
recess.
The
brain tumor
was
a paper cut.
The
psych ward
was
a vacation.
The
toe amputation
was
a minor itch.
Leukemia
Could
be different…
“it’s
not dyin’ tha scares me,”
he
says.
“It’s
bein’ alone
while
ah do it.”
Molly
cups his hand
between
her paws
and
licks his fingertips
as
steam rises from the teacup.
Friday, January 30, 2015
When Dementia Came to Puerto Rico and all the Flowers Died
He told me
about how his grandmother--
His mother's mother--
and the last time he saw her.
How every family member
had a recipe for pasteles,
but she made the best.
How her garden was lush
and always full of sweet promise.
He could remember how the flowers smelled.
He swore that he could recite every story
she told him.
He could close his eyes,
and remember,
but now the tears came instead.
He remembered the last time
he saw her.
How the flowers were all dead.
How dirt and stone replaced the garden.
But he could see her in the doorway.
He remembered a cold, angry stare,
instead of a warm embrace.
There was no food cooking.
She cursed at him.
And then his father
grabbed his arm and pulled him
toward the car.
He never saw her again
before death came.
He couldn't save her.
Her couldn't care for her.
They were too poor.
He was too young.
"Never again," he vowed.
I grabbed my love's hand and clutched it tightly.
"Yes, son. I will help you pay the florist
for your wedding day."
----
~Torres
about how his grandmother--
His mother's mother--
and the last time he saw her.
How every family member
had a recipe for pasteles,
but she made the best.
How her garden was lush
and always full of sweet promise.
He could remember how the flowers smelled.
He swore that he could recite every story
she told him.
He could close his eyes,
and remember,
but now the tears came instead.
He remembered the last time
he saw her.
How the flowers were all dead.
How dirt and stone replaced the garden.
But he could see her in the doorway.
He remembered a cold, angry stare,
instead of a warm embrace.
There was no food cooking.
She cursed at him.
And then his father
grabbed his arm and pulled him
toward the car.
He never saw her again
before death came.
He couldn't save her.
Her couldn't care for her.
They were too poor.
He was too young.
"Never again," he vowed.
I grabbed my love's hand and clutched it tightly.
"Yes, son. I will help you pay the florist
for your wedding day."
----
~Torres
Saturday, January 24, 2015
Sometimes, as in a Nightmare
I'm interested in how other writers get their inspiration. Especially my heroes, who are masters of dark fiction. The kind of individuals who had the unfortunate experiences in life that they ended up forming into their masterpieces.
I tend to think about Lovecraft and the night terrors that he had. This ended up boosting a theory that H.P. was actually being warned by the monsters, Elder Gods, Old Ones, and nameless abominations that he was writing about. That they really do exist. And that some viewed mankind with indifference, while others viewed us as slaves, or food, or both. The stories alone are weird and horrifying, but to think that there might be an actual cult out there that worships these eldritch beings outside of the weird fiction.
Life imitating art.
The same could be said for Poe. Now, there was an individual who was flat out tortured by life. He started off as a child full of promise (although his mother died when he was three and his father abandoned them when he was born), but terror and sadness kept him in within their chilling grips until his own mysterious end. However, had it not been for the fact that every woman he loved was sent to the grave by consumption; his only family was a foster father who cursed Poe's name on his deathbed; and most of his writing was rejected, was he was able to leave behind stories that epitomize such inner torture and suspense.
Art imitating life.
When it comes to my own dark fiction, it's an interesting experience to examine a story after it is finished and pull out the true-to-life instances contained within. It's true that sometimes I don't know what I'm actually writing about as I am trailblazing through what is nothing sure of feverish writing and romantic spontaneity (even though it may be difficult to believe). But, there are still those times when I know exactly what I want to show people and how I am going to do it.
One story I've been working on recently is a perfect example. It deals with how a child (me) dealt with being afraid of the dark (which I was), and what I thought was dwelling out in the darkness of my bedroom.
I remember what inspired it. I remember how my own horrific journey that got this macabre ball rolling. When I was five years old, life began to form the art. And now, as a man, the art is taking on a life of its own...
--
I would have grown up and chased a different dream entirely if my father hadn't gone to Hershey Park that day and brought back that strange stuffed toy.
Thinking back, I still don't know what the plush toy was, but it was green. Not an M&M, or some other false idol of anthropomorphic candy that defined the corporation, but some other strange food item. It reminded me of a giant pea. Sort of round, with a darker green tuft of hair on top; two huge plastic eyes with black pupils; a wide, plastic, toothy smile; two arms, with white three-fingered gloves; and two feet with Chuck Taylor-esque basketball sneakers.
When my father gave me the thing, I received it with much excitement because I, like any other child in America, loved toys. And after spending the day with it, my parents thought it would be a good idea to keep it on the toy box that was against the wall across from my bed. So there it sat, and when the hour grew late, we all went to bed.
I always woke up in the middle of the night when I was a kid because of nightmares, or any and all forms of noise. My bedroom in that apartment was in the very front of the building and there was a busy road right outside. So, with every single loud engine, car horn, and overall lurching fear of things that boys are afraid of (and afraid of letting others know about) I would spring awake and glance about the room.
Then, one night...
I do remember being asleep. I do remember being awoken by a loud truck engine. And, I do remember glancing about the room. However, the one thing that I remember the most about that night was what was sitting out there in the darkness. I remember seeing glowing green eyes, and a smile as well. I remember the panic and fear that I felt.
My immediate reaction was to use my blankets a shield from any and all monsters, and especially this unknown specter. But, my plan backfired. As I pulled up the covers and covered my head, I twisted and turned and tightened the covers around my body so much so that I began to hyperventilate.
I remember not being able to breathe.
Then, I heard something through my gasps for breath. They were footsteps along the side of my bed. Then I felt something. It was a hand on my shoulder. I heard my name. Someone spoke, but as they did I was already moving--and eventually falling--off the side of my bed.
Then my mother turned on the light and asked what the matter was.
So, tearfully I told her. And when I was done, she flicked the light back off, and saw the eyes and the smile for herself. It was the stuffed thing that my father won for me. She took it out of my room. Then she closed the curtains that divided my room from theirs.
Sometimes, I'm still afraid of the dark.
-----
Ah, childhood...
~Torres
I tend to think about Lovecraft and the night terrors that he had. This ended up boosting a theory that H.P. was actually being warned by the monsters, Elder Gods, Old Ones, and nameless abominations that he was writing about. That they really do exist. And that some viewed mankind with indifference, while others viewed us as slaves, or food, or both. The stories alone are weird and horrifying, but to think that there might be an actual cult out there that worships these eldritch beings outside of the weird fiction.
Life imitating art.
The same could be said for Poe. Now, there was an individual who was flat out tortured by life. He started off as a child full of promise (although his mother died when he was three and his father abandoned them when he was born), but terror and sadness kept him in within their chilling grips until his own mysterious end. However, had it not been for the fact that every woman he loved was sent to the grave by consumption; his only family was a foster father who cursed Poe's name on his deathbed; and most of his writing was rejected, was he was able to leave behind stories that epitomize such inner torture and suspense.
Art imitating life.
When it comes to my own dark fiction, it's an interesting experience to examine a story after it is finished and pull out the true-to-life instances contained within. It's true that sometimes I don't know what I'm actually writing about as I am trailblazing through what is nothing sure of feverish writing and romantic spontaneity (even though it may be difficult to believe). But, there are still those times when I know exactly what I want to show people and how I am going to do it.
One story I've been working on recently is a perfect example. It deals with how a child (me) dealt with being afraid of the dark (which I was), and what I thought was dwelling out in the darkness of my bedroom.
I remember what inspired it. I remember how my own horrific journey that got this macabre ball rolling. When I was five years old, life began to form the art. And now, as a man, the art is taking on a life of its own...
--
I would have grown up and chased a different dream entirely if my father hadn't gone to Hershey Park that day and brought back that strange stuffed toy.
Thinking back, I still don't know what the plush toy was, but it was green. Not an M&M, or some other false idol of anthropomorphic candy that defined the corporation, but some other strange food item. It reminded me of a giant pea. Sort of round, with a darker green tuft of hair on top; two huge plastic eyes with black pupils; a wide, plastic, toothy smile; two arms, with white three-fingered gloves; and two feet with Chuck Taylor-esque basketball sneakers.
When my father gave me the thing, I received it with much excitement because I, like any other child in America, loved toys. And after spending the day with it, my parents thought it would be a good idea to keep it on the toy box that was against the wall across from my bed. So there it sat, and when the hour grew late, we all went to bed.
I always woke up in the middle of the night when I was a kid because of nightmares, or any and all forms of noise. My bedroom in that apartment was in the very front of the building and there was a busy road right outside. So, with every single loud engine, car horn, and overall lurching fear of things that boys are afraid of (and afraid of letting others know about) I would spring awake and glance about the room.
Then, one night...
I do remember being asleep. I do remember being awoken by a loud truck engine. And, I do remember glancing about the room. However, the one thing that I remember the most about that night was what was sitting out there in the darkness. I remember seeing glowing green eyes, and a smile as well. I remember the panic and fear that I felt.
My immediate reaction was to use my blankets a shield from any and all monsters, and especially this unknown specter. But, my plan backfired. As I pulled up the covers and covered my head, I twisted and turned and tightened the covers around my body so much so that I began to hyperventilate.
I remember not being able to breathe.
Then, I heard something through my gasps for breath. They were footsteps along the side of my bed. Then I felt something. It was a hand on my shoulder. I heard my name. Someone spoke, but as they did I was already moving--and eventually falling--off the side of my bed.
Then my mother turned on the light and asked what the matter was.
So, tearfully I told her. And when I was done, she flicked the light back off, and saw the eyes and the smile for herself. It was the stuffed thing that my father won for me. She took it out of my room. Then she closed the curtains that divided my room from theirs.
Sometimes, I'm still afraid of the dark.
-----
Ah, childhood...
~Torres
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